Lucrezia Lucas is a Slovak-English mezzo-soprano and designer whose work spans music, visuals and the written word.
She began vocal training at age 12 and was later accepted into the Royal College of Music (Junior Department) in London, studying under Liza Hobbs and Veronica Veysey Campbell.
Driven by a love of language and performance, she moved to Switzerland, where she completed her undergraduate (BA) and postgraduate (MA) studies in Vocal Performance at the HSLU with Liliane Zürcher.
As an oratorio soloist, Lucrezia performs widely across Switzerland, with highlights including Händel's Messiah at Lausanne Cathedral, Duruflé's Requiem at Zürich's Grossmünster, Bach's Weihnachtsoratorium in Laufen, and regular solo engagements in Zug — as a soloist and as part of the Camerata St. Michael under the direction of Philipp Emanuel Gietl.
She's a member of triodati, a VISUALES project, and of the tempo d'affetto ensemble.
Beyond singing, Lucrezia is a spatial and graphic designer, having recently completed her BA in Spatial Design at the HSLU, led by Oana Stănescu and Klaus Marek.
She often collaborates with fellow musicians on the visual and conceptual sides of their work — having created numerous concert flyers and programmes — and as an artist photographer. In 2022 she designed and built touring media players installed across Switzerland for the Augenlieder Collective. Her most recent spatial work includes the 2025 set Bühnenbild for Der Kaiser von Atlantis, a touring opera production from Youth for Opera.
Lucrezia also works full-time on the digital editorial team at Cabana Magazine, where her visual and editorial sensibilities come together in service of storytelling, atmosphere and design.